The Nahmias Cipher Report

A truly powerful movie that is metaphoric and profound on so many levels. Words fail to capture the depth of longing portrayed by the principal character of this film who is the veritable “everyman” calling out to the great unknown for guidance, support, and assistance. As an artist and a deeply spiritual person the other worldliness and mysticism experienced by the characters in this film transcend man made boundaries to emote true connection to the “unseen” that binds us all.

In a time of deep divides along geographical, political and religious lines, it is important for people to remember that ultimately these factions and the resultant conflicts have been a facet of humanity since its beginning. Therefore, we should not define ourselves by this our greatest failing, instead we should strive to identify the communality of our experiences, our humanity, and our intrinsic need to understand from whence we came and to where we return.

Reinfried Marass is an Austrian, professional photographer, born 1960 in Vienna. He started photography at age of 18 after his graduation as mechanical engineer.

His work is internationally acknowledged and awarded at some of the world’s most prestigious photographic contests. Reinfried’s photographs have been published in numerous international magazines and books – primarily covers, full pages, double-spreads or centerfolds.

Ever wondered how Arabic women seem to possess the most beautiful eyes? Well, turns out that it is an art used to enhance their most visible feature. For traditional Muslim women who choose to wear the Hijab, Burqa, or Bui Bui, eye makeup provides the means for dramatic expressiveness.
It is a way for these beautiful women to communicate their unique individuality. Sometimes in the West we view these women as oppressed victims devoid of creativity or freedom. The beautiful eye makeup featured in the video above contradicts this gross generalization, because these are not objects of derision, they are women; and if we diminish and define them by an outer garment, then we are no better than the men we criticize.

These Algerian Desert Flowers were featured in a 1917 National Geographic story that documented the exotic beauty of North African people and their religious customs. Unlike the anthropological approach to other cultures, people and countries that primarily exists today, the captions that reference many of the photos in this series ‘Scenes of Orient’ are ethnocentric, paternalistic and colonialist at best, and downright racists at worst. Thankfully, the beauty of these captured moments surpass the limitations of the recorder.