The Nahmias Cipher Report

Ever wondered how Arabic women seem to possess the most beautiful eyes? Well, turns out that it is an art used to enhance their most visible feature. For traditional Muslim women who choose to wear the Hijab, Burqa, or Bui Bui, eye makeup provides the means for dramatic expressiveness.
It is a way for these beautiful women to communicate their unique individuality. Sometimes in the West we view these women as oppressed victims devoid of creativity or freedom. The beautiful eye makeup featured in the video above contradicts this gross generalization, because these are not objects of derision, they are women; and if we diminish and define them by an outer garment, then we are no better than the men we criticize.

“There comes a time when you have to stand up and shout: This is me damn it! I look the way I look, think the way I think, feel the way I feel, love the way I love! I am a whole complex package. Take me… or leave me. Accept me – or walk away! Do not try to make me feel like less of a person, just because I don’t fit your idea of who I should be and don’t try to change me to fit your mold. If I need to change, I alone will make that decision.

When you are strong enough to love yourself 100%, good and bad – you will be amazed at the opportunities that life presents you.” ~ Stacey Charter

“Tell your own story, and you will be interesting. Don’t get the green disease of envy. Don’t be fooled by success and money. Don’t let anything come between you and your work.” ~ Louise Bourgeois

Artist Louise Bourgeois died at Beth Israel Medical Center in Manhattan on Monday, 31 May 2010. She suffered a heart attack Saturday night, said the studio director, Wendy Williams. Although 98, she was still working and in fact finished her latest piece just last week.

Women of all ethnic backgrounds, experiences, physiognomy and sexual preference are a wonder to behold. This video pulls you into the eternal flow of the mysteries that lie beneath the mysterious facades with sagacious eyes. Best said by Isak Dinesen, “the entire being of a woman is a secret that should be kept.”

We shall never know the secrets these women held, but we can ponder or project, as women, as children, as husbands and lovers our temporal secrets onto these women of amaranthine loveliness.

These Algerian Desert Flowers were featured in a 1917 National Geographic story that documented the exotic beauty of North African people and their religious customs. Unlike the anthropological approach to other cultures, people and countries that primarily exists today, the captions that reference many of the photos in this series ‘Scenes of Orient’ are ethnocentric, paternalistic and colonialist at best, and downright racists at worst. Thankfully, the beauty of these captured moments surpass the limitations of the recorder.

Eritrea (pronounced /ˌɛrɨˈtreɪ.ə/ or /ˌɛrɨˈtriːə/;[6] Ge’ez: ኤርትራ ʾErtrā, Arabic: إرتريا Iritriya), officially the State of Eritrea, is a country in the Horn of Africa. It is bordered by Sudan in the west, Ethiopia in the south, and Djibouti in the southeast. The east and northeast of the country have an extensive coastline on the Red Sea, directly across from Saudi Arabia and Yemen. The Dahlak Archipelago and several of the Hanish Islands are part of Eritrea. Its size is just under 118,000 km2 (45,560 sq mi) with an estimated population of 5 million. The capital is Asmara.” Photos of Eritrean Women by Dawit Rezenè.

My Dirty Little Heaven is an ambitious exhibit by Kenyan-born, New York based artist Wangechi Mutu. Chosen as the 2010 Artist of the Year, Mutu’s installation is the first show in the Deutsche Guggenheim Berlin Museum selected on the recommendation of the Deutsche Bank Global Art Advisory Council.

Mutu’s portfolio of work explores the objectification of women in the entertainment and advertisement industries. In a recent interview, Mutu recounted how the impetus for creating My Dirty Little Heaven resulted from as a dearth of realistic portrayals of women in the media. This was particularly evidenced by the images that adorned the covers of magazines, movies, commercials, etc. in which rarely if ever could she find herself or any other women. Within the African-American spectrum the issue was even more skewed and pervasively misogynistic. Women are portrayed as prostitutes, mannequins or props to make male entertainers appear more virile, thus diminishing them both.

Much has been written about our world, man’s adverse impact on the planet, and what needs to be done to save Earth. No doubt as our species continues to advance, our expansion and incursion into the remaining pristine corners of our planet will accelerate as we seek illusory security through the treasures the earth can yield to us. However, unlike our planet, our lifespan is akin to that of a flea, and like a dog with an itch, we will voluntarily or involuntarily be cast off.

This perspective was best expressed by Dr. Iain Stewart’s in the 2009 BBC program titled “Earth: The Power of the Planet.” Dr. Stewart stated “in the long run, earth can cope with anything we can throw at it. We could clear all the jungles, but a jungle can regrow over a few thousand years. We could burn all earths’ fossil fuels, flooding the atmosphere with carbon dioxide but even then, it will take the planet only a million years or so for the atmosphere to recover even the animals we are wiping out will eventually be replaced by others equally rich in diversity as a relentless work of evolution continues. It’s only a question of time; the earth will be just fine. So all this stuff about saving planet earth, well that is not the problem: planet earth doesn’t need saving, earth is a great survivor. It’s not the planet we should be worrying about, it’s us.”

Not withstanding that powerful sentiment, this post is tangentially about environmental issues, but primarily about the brilliant, contemporary composers Armand Amar and Philip Glass. Both of these composers possess unparalleled skills in weaving together the unique voices, languages and cultures of people around the world to tell compelling stories through film scores.

Paintings by Max Ernst, German-born painter, printmaker, collagist, and sculptor and one of the major figures of the Dada and Surrealist movement.